The author
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EMILY DICKINSON (1830-1886)
Emily Dickinson was an American lyrical poet, and an obsessively private writer -- only seven of her some 1800 poems were published during her lifetime. Dickinson withdrew from social contact at the age of 23 and devoted herself in secret into writing.
Dickinson was born in Amherst, Massachusetts, to a family well known for educational and political activity. Her father, an orthodox Calvinist, was a lawyer and treasurer of Amherst College, and also served in Congress. She was educated at Amherst Academy (1834-47) and Mount Holyoke Female Seminary (1847-48). Around 1850 Dickinson started to write poems, first in fairly conventional style, but after ten years of practice she began to give room for experiments. From c. 1858 she assembled many of her poems in packets of 'fascicles', which she bound herself with needle and thread.
After the Civil War Dickinson restricted her contacts outside Amherst to exchange of letters, dressed only in white and saw few of the visitors who came to meet her. In fact, most of her time she spent in her room. Although she lived a secluded life, her letters reveal knowledge of the writings of John Keats, John Ruskin, and Sir Thomas Browne. Dickinson's emotional life remains mysterious, despite much speculation about a possible disappointed love affair. Two candidates have been presented: Reverend Charles Wadsworth, with whom she corresponded, and Samuel Bowles, editor of the Springfield Republican, to whom she addressed many poems.
Dickinson's works have had considerable influence on modern poetry. Her frequent use of dashes, sporadic capitalization of nouns, off-rhymes, broken metre, unconventional metaphors have contributed her reputation as one of the most innovative poets of 19th-century American literature. Later feminist critics have challenged the popular conception of the poet as a reclusive, eccentric figure, and underlined her intellectual and artistic sophistication.
She tried to write »compact » verse, in which she presented only the core of her thought. She used everyday words, mostly of one or two syllables, and she even sacrificed grammatical correctness to achieve sharpness of expression. Her poems are full of single, unusual insights based on images and metaphors appealing to the reader's senses so that the reader feels as if he himself was taking part in the poet's experiences.
Emily Dickinson was an American lyrical poet, and an obsessively private writer -- only seven of her some 1800 poems were published during her lifetime. Dickinson withdrew from social contact at the age of 23 and devoted herself in secret into writing.
Dickinson was born in Amherst, Massachusetts, to a family well known for educational and political activity. Her father, an orthodox Calvinist, was a lawyer and treasurer of Amherst College, and also served in Congress. She was educated at Amherst Academy (1834-47) and Mount Holyoke Female Seminary (1847-48). Around 1850 Dickinson started to write poems, first in fairly conventional style, but after ten years of practice she began to give room for experiments. From c. 1858 she assembled many of her poems in packets of 'fascicles', which she bound herself with needle and thread.
After the Civil War Dickinson restricted her contacts outside Amherst to exchange of letters, dressed only in white and saw few of the visitors who came to meet her. In fact, most of her time she spent in her room. Although she lived a secluded life, her letters reveal knowledge of the writings of John Keats, John Ruskin, and Sir Thomas Browne. Dickinson's emotional life remains mysterious, despite much speculation about a possible disappointed love affair. Two candidates have been presented: Reverend Charles Wadsworth, with whom she corresponded, and Samuel Bowles, editor of the Springfield Republican, to whom she addressed many poems.
Dickinson's works have had considerable influence on modern poetry. Her frequent use of dashes, sporadic capitalization of nouns, off-rhymes, broken metre, unconventional metaphors have contributed her reputation as one of the most innovative poets of 19th-century American literature. Later feminist critics have challenged the popular conception of the poet as a reclusive, eccentric figure, and underlined her intellectual and artistic sophistication.
She tried to write »compact » verse, in which she presented only the core of her thought. She used everyday words, mostly of one or two syllables, and she even sacrificed grammatical correctness to achieve sharpness of expression. Her poems are full of single, unusual insights based on images and metaphors appealing to the reader's senses so that the reader feels as if he himself was taking part in the poet's experiences.
Zadnja sprememba: sreda, 26. februar 2014, 03.47